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“What drives me is the act of translating ideas into images. I want to visualize my thoughts, to express my fantasies and stories pictorially. Je ne prends pas de photos, je les fais.” says Peter Knapp, an influential figure in the international fashion world during the 1960s and ‘70s. Fotostiftung Schweiz has dedicated an exhibition to him.
Transitioning from typographer and graphic designer to an artist, art director, photographer and director: Peter Knapp’s ideas for layout and typography as well as his dynamic photographs turned the magazine Elle into a leading medium of the fashion industry in the 1960s.
After studying at the Zurich School of Applied Arts, he enjoyed great success as an art director at Paris-based magazine Elle. In a time of social upheaval, which was reflected to no small extent in fashion, he found the right images for the liberation of the body and mind. Elle, a leading medium of emancipation under Editor-in-Chief Hélène Lazareff, contributed significantly to a buoyant democratization of women’s clothing: with prêt-à-porter replacing of haute couture, and the minijupe replacing the corset, functionality taking the place of stiff elegance, self-confident women on the streets and not merely models in the studio. Peter Knapp’s layouts and photographs conveyed this new mindset towards the body and life, which many women in the 1960s could identify with.
He collaborated with the leading Paris fashion designers and used photography to express a new awareness of life. Later, magazines such as Vogue, Marie Claire or Stern also provided an ideal platform: In parallel to his artistic oeuvre, he also thoroughly explored the scope of applied photography. In 2021, Peter Knapp was lauded with the Swiss Grand Prix Design award.
Based upon a generous donation from Peter Knapp – around 600 photographs from the period 1965 to 1980 – Fotostiftung Schweiz is exhibiting the work of this extraordinary designer: ‘Peter Knapp – Mon Temps’ presents his fashion photographs, but also revives the mood that marked an era and the changes in society at that time. Art historian Laura Ragonese pays tribute to his oeuvre sparkling with joie de vivre in the context of the visual culture of the time.
Peter Knapp, born in 1931, first trained as a graphic artist at what was once the Zurich School of Applied Arts. Following his subsequent studies at the École des Beaux-Arts in Paris, he worked internationally as an artist, designer, art director and fashion photographer.
To accompany the exhibition, there is a book publication entitled Peter Knapp – Mon temps. Modefotografie 1965–1980 by publishing house Scheidegger & Spiess, edited by Peter Pfrunder, Director of Fotostiftung Schweiz, as well as an essay by Laura Ragonese
1st edition, 2022, softcover
192 pages, 209 color and 106 b/w ills.
24 x 34 cm, ISBN 978-3-03942-100-8
Fotostiftung Winterthur, Peter Knapp: Mon Temps, 29 Oct., 2022 – 12 Feb., 2023
01.12.2022 show complete article
‘What are you burning for?’ – precisely the question of international light artist JAN KUCK we are now asking in our boutique hotel MAISON MARSIL in Cologne. The neon work BURN will be on display in the foyer of the absolute gem for ART COLOGNE 2022. Here on GoSee, we present you Isabel Bernheimer from Bernheimer Contemporary with Jan Kuck during the installation of the artwork.
Isabel Bernheimer and Jan Kuck are representing the booth of Malte Uekermann Kunsthandel this year, specialized in abstract positions of German art after 1945 such as Willi Baumeister, Heinz Mack, Otto Piene or similar.
Just recently on display at the Berlin gallery was the exhibition TIME MATTERS by Munich resident Jan Kuck. Jan Kuck, born 1978 in Hanover, lives and works in Berlin and in Munich, and is represented by the artist agency Bernheimer Contemporary, headquartered in Berlin. He first studied law for several semesters and went on to graduate with a Master’s degree in Philosophy and History – laying the profound theoretical foundation for his work as a conceptual artist. In his conceptual art, he pointedly carves out both the wit and the tragedy of our society. An important hallmark, seen throughout his work, is the complex interaction of light and words.
ART COLOGNE – Around 190 galleries and dealers are presenting art of the 20th, 21st, and – in many cases fresh from the atelier – of the 22nd century, from 16 through 20 November, 2022. Art Cologne, originally the Kölner Kunstmarkt (Art Market Cologne), was founded in 1967 and is the oldest art trade fair in the world.
The curator and the artist are now preparing a big project for 2023: In February, the Copenhagen Light Festival 2023 will present THE BURNING CANAL & ARACHNE by Jan Kuck. So stop by the art fair and meet up with them for an after-work Kölsch beer at MAISON MARSIL – where they will gladly tell you all about their new project. Of course, we had a few questions :
In 2020, Jan Kuck illuminated the Isar in Munich with his installation THE BURNING RIVER (GoSee reported with a video). What awaits us now with THE BURNING CANAL in Copenhagen?
Jan Kuck: “THE BURNING CANAL is a concept specifically for the Copenhagen Light Festival 2023 and a continuation of my idea for THE BURNING UNIVERSE, adapting THE BURNING RIVER (Isar, Praterinsel, Munich, Germany, 2020) to the canal system of Copenhagen.”
And what exactly is THE BURNING UNIVERSE?
“By the time of the possible realization of the THE BURNING CANAL in February 2023, THE BURNING UNIVERSE will already consist of two monumental projects: THE BURNING RIVER & THE BURNING ALPS. THE BURNING RIVER was born of the idea that rivers are the main arteries of our cities and are thus synonymous with the development of our society. But a society can only develop through the dreams, wishes and ideas that are born and realized or prevented in that society. For this reason, I wanted to explore what people are burning for and create a powerful and ambiguous symbol for it.
To do so, I combined high-performance pumps with high-tech lasers and LED spots, on the one hand, to create the illusion of wild and torchy burning water over an area of approximately 100 x 30 m. On the other, I asked people on the internet: What are you burning for? The answers were then projected with a laser onto the building behind the BURNING RIVER.”
Can you tell us a little about THE BURNING MOUNTAIN?
“THE BURNING MOUNTAIN will be the equivalent with snow guns that are among the first to be powered 100% with green energy in the mountains of Davos, and will take place on and around New Year’s 2022 / 2023. This will highlight the importance of an environmental balance in the mountains, similarly to how THE BURNING RIVER in Munich symbolized a nature reserve in the middle of a city.”
Now the biggest project of the series in Copenhagen?
“THE BURNING CANAL is planned in the same way as the THE BURNING RIVER, as an interactive art installation for an important inner-city waterway, so that Copenhagen can draw attention to the importance of canals and to the desires, dreams and passions of the visitors of the Copenhagen Light Festival. THE BURNING CANAL is planned to be at least 200-meters long, which is about twice the length of THE BURNING RIVER, to underscore the importance of Copenhagen. Besides the slightly droning noise of the pumps, the installation will not have sound.”
In 2012, under director Bonaventure Soh Bejeng Ndikung, Jan Kuck had his first major gallery exhibition (PACKET-SOUP) at the non-commercial gallery SAVVY Contemporary Berlin, which received great attention by the media. He has since participated in more than 60 exhibitions at home and abroad, including charity auctions for the Pinakothek der Moderne in Munich, Arsenale Docks during the 15th Venice Architecture Biennale, Highlights Art Fair Munich, Art Fair Budapest, Ansbach Biennale, Genoa Biennale, the SOFA CHICAGO Art fair, Anna Laudel Contemporary Istanbul, the State Textile and Industry Museum Augsburg, Deutsches Museum Munich, and Palazzo Ducale Genoa.
Particularly his latest exhibitions have received great attention among the press and art scene. Following his solo presentation ‘Time to talk now’ in April 2019 at Kunsthalle München, Jan Kuck spoke at TEDx Munich and was the first light artist to get the chance to exhibit at Munich’s Siegestor, a smaller version of the Arc de Triomphe in Paris, during the Munich Creative Business Week, MCBW 2020, with his light installation ‘DESIGN! or NO SIGN?’.
His largest art installation in the public space to date is THE BURNING RIVER, for which he set nearly 100 meters of Munich’s Isar River at the height of the Deutsches Museum seemingly ablaze with industrial lasers in March 2020, asking people from all over the world to answer the question: What are you burning for? From summer to fall 2021, several of his neon signs were exhibited in Munich, Augsburg and Passau, among other places, in front of the synagogue in Munich.
His work was on display in August 2022 in the park of Bellevue Palace as part of the German Federal President’s Citizen Festival. Jan Kuck is currently preparing solo and group exhibitions at home and abroad.
Hotel Maison Marsil was opened in 1999 by Frank Schmitz and Cyrus Halabian, and was completely renovated in 2016. At the moment, they are busy working on their second hotel project – MIRA D’OR DE MARSIL in Tenerife. Its opening is planned for fall 2023.
GoSee bernheimercontemporary.de & jankuck.com & artcologne.de & marsil.de
17.11.2022 show complete article
Dan Carabas has brought together the physical and digital worlds in his art exhibition METAMORPHIC SCULPTURES, which took place at the end October at Kühlhaus Berlin – and more than 500 visitors attended the vernissage.
In his exhibition METAMORPHIC SCULPTURES, Dan Carabas, who is represented by KRISTINA KORB, deals with the distortion and transformation of the human body. By means of Shibari, a Japanese art of tying and draping fabrics, Carabas creates a paradox: while the ropes restrict the movements of the human body, it is the ropes that give the fabric its own dynamism and three-dimensionality. By deliberately altering the body, the sculptures become dehumanized and appear to the viewer in a trance-like state. This process was captured in photographs as a physical work of art printed on wood, and the random grain of the wood gives each final work its uniqueness.
Printing on wood creates a work that cannot be copied due to the unique grain of the wooden panel. This physical work of art was captured photographically and created as an NFT, or non-fungible token, on a trading platform (known in the trade as minting). The digital NFT and the analog work have the same fine wood grain and can be matched. The NFT thus creates a transparent sales process that confirms ownership and authenticity.
The technology behind NFTs is versatile and offers unprecedented opportunities for artists and art collectors. For Dan Carabas, it is important that his exhibition is also technologically in tune with the zeitgeist, while at the same time, enabling analog art to be experienced in a physical space. Because, after all, art still needs a space in which it can have an effect.
GoSee kristinakorb.com & dancarabas.com & quinto.com
14.11.2022 show complete article